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Momento Mori - Monteverdi, Rossi (2014)
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Momento Mori - Monteverdi, Rossi (2014)

31-03-2014, 14:50
Music | Classical Music



Momento Mori - Monteverdi, Rossi (2014)


Artist: Momento Mori
Title Of Album: Monteverdi, Rossi
Year Of Release: 2014
Label: Aparte
Genre: Classical
Quality: MP3
Bitrate: 320kbps
Total Time: 1:03:32
Total Size: 149 MB

Tracklist:

1. Chi vol che m'innamori (08:23)
2. I. Sinfonia (00:46)
3. II. Disperar di se stesso (récit et trio) (01:45)
4. III. Il nio niente è sempre niente (01:24)
5. IV. Mai non nega a chi piange (01:58)
6. V. Spargete sospiri (quatuor) (04:33)
7. VI. Mirate là, sul Palesstin Giordano (03:49)
8. VII. Io voglio morire (quatuor) (03:25)
9. VIII. Innamoratevi d'esser dolenti (trio) (01:08)
10. IX. Ultimo madrigale a 5: Allor che più pena (03:22)
11. Lamento de la Maddalena (10:39)
12. I. Sinfonia (00:45)
13. II. O cecità del misero mortale (duo) (03:32)
14. III. Riconosciti una volta (trio) (03:48)
15. IV. Ahi che publico inganno (récit, duo et trio) (05:32)
16. V. Quel tratto poi di vita (01:27)
17. VI. Riconosciti una volta (01:51)
18. VII. Deh, rimira che seco (01:07)
19. VIII. Ultimo madrigale a 5: Non mi dir che sei stanco (04:18)

These 'moral cantatas' play on the 'affetti', ie they were used to heighten the devotional feelings of those attending sermons in Roman oratories, or prayer halls, in the early years of the 17th century. In these oratories informal meetings were held which used the vernacular (Italian instead of Latin) and in which music became a significant factor in attracting participants.

Those who commissioned such works [cardinals, popes, noble families] had long been aware of the attractive potential of secular genres. The ancient practices of laude, basso ostinato and lamenti, as well as popular new musical genres including opera, were able to flourish in the oratories as a vehicle for spiritual messages.

The booklet-essay raises doubts as to the attribution of these works to Rossi and supposes that they were probably written for a period of penance in the liturgical year, perhaps during Lent. In each of the works on this recording the alto vocal part usually taken by a contralto or falsetto voice is performed by a tenor: a personal, rather than musicological choice taken by Geoffroy Jourdain.






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rafaelos   User offline   31 March 2014 15:16


Excellent! Thank you (flac if is possible)

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