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Arcangelo & Jonathan Cohen - Monteverdi: Madrigals of Love and Loss (2014) 320 / FLAC

1-05-2014, 12:06
Classical Music | FLAC / APE



Arcangelo & Jonathan Cohen - Monteverdi: Madrigals of Love and Loss (2014) 320 / FLAC

Artist: Arcangelo & Jonathan Cohen
Title Of Album: Monteverdi: Madrigals of Love and Loss
Year Of Release: 03 February, 2014
Label: Hyperion Records
Genre: Classical
Quality: MP3 | FLAC (tracks)
Bitrate: 320 kbps | lossless
Total Time: 69:55 Min
Total Size: ~165 Mb |~339 Mb
WebSite: amazon

Tracklist:

01 Monteverdi - Volgendo il ciel – Movete al mio bel suon, SV154 - Introduzione al ballo Volgendo il ciel per limmorta
02 Monteverdi - Volgendo il ciel – Movete al mio bel suon, SV154 - Ballo a 5 con doi violini Movete al mio bel suon le piante snelle
03 Merula - Ciaccona
04 Monteverdi - Volgendo il ciel – Movete al mio bel suon, SV154 - Ballo a 5, seconda parte Ei l'armi cinse, e su destrier alato
05 Monteverdi - Combattimento di Tancredi e Clorinda, SV153
06 Monteverdi - Or che l ciel e la terra e l vento tace, SV147
07 Monteverdi - Ohimè, dovè il mio ben, dovè il mio core, SV140
08 Monteverdi - Zefiro torna e l bel tempo rimena, SV108
09 Monteverdi - Ohimè il bel viso, ohimè il soave sguardo, SV112x
10 Monteverdi - Sestina Lagrime damante al sepolcro dellamata, SV111 - No 1 Incenerite spoglie, avara tombax
11 Monteverdi - Sestina Lagrime damante al sepolcro dellamata, SV111 - No 2 Ditelo, o fiumi, e voi chudiste Glauco
12 Monteverdi - Sestina Lagrime damante al sepolcro dellamata, SV111 - No 3 Darà la notte il sol lume alla terrax
13 Monteverdi - Sestina Lagrime damante al sepolcro dellamata, SV111 - No 4 Ma te raccoglie, o ninfa, in grembo 'l cielo
14 Monteverdi - Sestina Lagrime damante al sepolcro dellamata, SV111 - No 5 O chiome dor, neve gentil del seno
15 Monteverdi - Sestina Lagrime damante al sepolcro dellamata, SV111 - No 6 Dunque, amate reliquie, un mar di piant

Gramophone Award-winning ensemble Arcangelo (in their first recording as a vocal and instrumental group) presents a selection from Monteverdi’s last three books of madrigals. These ardent and passionate works are microcosms of Monteverdi’s great operas, and among his most celebrated music.

Most of the madrigals of Book 6 (1614) are songs of parting and loss. Book 7 (1619) is entitled Concerto, meaning that all the works it contains require instrumental accompaniment. And Book 8 (1638) introduces the genere concitato—the ‘agitated’ manner that Monteverdi devised to convey the emotions of war, whether physical or psychological. Combattimento di Tancredi e Clorinda sets an extended passage from Tasso’s epic poem Gerusalemme liberata. Tasso’s text, set in the time of the first crusade, tells of the combat between the Christian knight Tancredi and the Saracen maiden Clorinda. Most of the action of the Combattimento is conveyed by a narrator (Testo—the text), sung here by celebrated tenor James Gilchrist.





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