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Fennesz & OZmotic - AirEffect (2015)
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Fennesz & OZmotic - AirEffect (2015)

7-08-2015, 21:40
Music | Jazz | Electronic

Fennesz & OZmotic - AirEffect (2015)

Artist: Fennesz & OZmotic
Title Of Album: AirEffect
Year Of Release: 2015
Label: Interbang/Folk Wisdom
Genre: Electronic, Jazz
Format: Mp3
Quality: 320 kbps
Total Time: 45:50 min
Total Size: 108 mb


01. Ferment_action (06:16)
02. Hydro(p)s (06:10)
03. Run To Run (06:33)
04. Anthropocene (07:57)
05. LiquidMrkt (06:58)
06. Clone 15.26 (06:36)
07. Epilogo (05:24)

AirEffect is a real and highly imaginative flow of sounds made up of tone research and electronic background, where musicians bring the audience to unexpected and usual places. It develops in structured scenes, each of which is part of a descriptive process evolving without interruptions. The artistic journey by the musicians is brought to life through AirEffect where jazz is assimilated into pure experimental music and typical electronic sounds. Everything is blended into an artistic mixture which goes beyond common beauty standards and the predetermined characterizations, recalling, at the same time, ancient rhythmic traditions and hypnotic themes typical of contemporary electronic music.Last year Christian Fennesz, the Austrian maestro behind Endless Summer, finally released a new solo album; the Eureka!-ed Bécs. Yet, that was just one of his three 2014 releases, comprising a superstar collaboration with David Sylvian and a bunch of Mahler remixes. Thing is, despite being a certified one-man-experimental-music-production-plant, Fennesz loves to work with other artists. Back in 2013 he did just that, teaming up with Stanislao Lesnoj and SmZ, the Turin duo known as OZmotic, to record a mixture of field recordings, improvised music, and electronic textures they are now set to release under the AirEffect title.
The album was inspired by Chris Marker’s sci-fi short film La Jetée — famously remade (and fleshed-out) by Terry Gilliam in 12 Monkeys — and conceives the project as the sounds one would find in a black box lost in the Anthropocene era, i.e., an artifact of our civilization left for post-human Earth-dwellers to discover. In more concrete terms, you can expect to hear sound clips gathered from around Turin combined with Fennesz trademark guitar/electronics, later fractalized and enriched with OZmotic’s avant jazz instrumentation; sax and drums are as likely to show up as snippets from the Italian radio waves. The feel this music transmits is indeed timeless, the horns and nature samples evoking a post-historic wilderness as much as the eerie electronic soundscapes set up a decidedly sci-fi flavor.

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