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Olga Prats, Quarteto Lopes-Graça - Fernando Lopes-Graça: Complete Music for String Quartet and Piano, Vol. 2 (2015)

1-07-2016, 15:18
Classical Music | FLAC / APE


Artist:
Title: Fernando Lopes-Graça: Complete Music for String Quartet and Piano, Vol. 2
Year Of Release: 2015
Label: Toccata Classics
Genre: Classical, Chamber Music
Quality: FLAC (log,tracks+cue)
Total Time: 0:51:16
Total Size: 283 Mb
WebSite:

Tracklist:

01. Piano Quartet - I. Allegro moderato
02. Piano Quartet - II. Largo con variazione
03. Piano Quartet - III. Allegro scherzando
04. 14 Annotations For String Quartet - No. 1.
05. 14 Annotations For String Quartet - No. 2.
06. 14 Annotations For String Quartet - No. 3.
07. 14 Annotations For String Quartet - No. 4.
08. 14 Annotations For String Quartet - No. 5.
09. 14 Annotations For String Quartet - No. 6.
10. 14 Annotations For String Quartet - No. 7.
11. 14 Annotations For String Quartet - No. 8.
12. 14 Annotations For String Quartet - No. 9.
13. 14 Annotations For String Quartet - No. 10.
14. 14 Annotations For String Quartet - No. 11.
15. 14 Annotations For String Quartet - No. 12.
16. 14 Annotations For String Quartet - No. 13.
17. 14 Annotations For String Quartet - No. 14.
18. String Quartet No. 2 - I. Grazioso
19. String Quartet No. 2 - II. Burletta
20. String Quartet No. 2 - III. Cavatina
21. String Quartet No. 2 - IV. Finale

Performers:
Cello – Catherinne Srtynckx
Ensemble [String Quartet] – Quarteto Lopes-Graca
Piano [Bechstein (c. 1920)] – Olga Prats (tracks: 1-3)
Viola – Isabel Pimentel
Violin – Anne Victorino D'Almeida, Luis Pacheco Cunha
Composer – Fernando Lopes-Graça

The composer Fernando Lopes-Graça was something of a Portuguese Shostakovich: as a committed socialist, he faced repression from Portugals rightist military dictatorship; his works were banned and he was stripped of his official positions. Lopes-Graça responded in music, evolving a feisty, wiry Bartókian style that drew on Portuguese folk-music. This recording features Lopes-Graças own Bechstein piano, played by Olga Prats, who worked closely with him. Reviewing Vol. 1, Fanfare stated: the disc should be heard by 20th c. music lovers a strong, individual voice.





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